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Keep the cards, take them home with you, or destroy them.Snopes debunks this urban myth at. Simply put, hotels do not erase the information on these cards until an employee re-issues the card to the next hotel guest.Īt that time, the new guest's information is electronically "overwritten" on the card and the previous guest's information is erased in the overwriting process.īut until the card is rewritten for the next guest, it usually is kept in a drawer at the front desk with YOUR INFORMATION ON IT! Customer's credit card number and expiration date!When you turn them in to the front desk your personal information is there for any employee to access by simply scanning the card in the hotel scanner.Īn employee can take a hand full of cards home and using a scanning device, access the information onto a laptop computer and go shopping at your expense. ![]() Ever wonder what is on your magnetic key card?ĭ. 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You’re twenty-two years-old?īig Serbian: Yes. So it says in my files, you’re twenty-two years-old. Stanley Sugerman: I do have to ask something. Stanley Sugerman: Taking me to see basketball or a cockfight? ![]() ![]() Our Favorite Quotes: 'Obsession is going to beat talent every time.' - Stanley Sugerman (Hustle) Click To Tweet ![]() It’s definitely not as classic as the cactus mouth, but hey, happy to have had the cactus mouth when we did!Įven SQUEEZE has a great cover, I think you guys have a great, honed eye for it. That is Lucy’s old bunny on the cover on her chest. Of course, now years later, she got kinda famous and now her images we can’t afford to license so this cover we had to try to do a Gab Bois vibe ourselves. We tried to recreate it ourselves but of course couldn’t, and then just licensed it from here for $100. Unfortunately, I think we will never top the NEXT TIME READ THE FINE PRINT cover, we stumbled onto that image on Instagram when the artist Gab Bois was almost unknown. Thank you for saying that! It’s actually something we put a lot of time into. So talk about how you’ve picked album covers, cause Juno the bunny deserves to be a star, but all your covers are A+’s, I think NEXT TIME READ THE FINE PRINT has maybe one of the best album covers of the 2010s, full stop. We’ve definitely leaned into it for sure. Yeah, from the social media presence to your music videos to the songs themselves, fast, young, fun, there is a total vibe to all of it. All that was ever said was we are going to play fast. But all in all there was never a vibe discussion, it just was very organic. We wanted to call back to all the bands we loved in our even younger days, like Surf Curse, The Strokes, etc. So we knew it would have to be upbeat and honestly we didn’t take things too seriously. We did originally discuss two things: We want to play house parties, and we want to play mainly originals. I think part of it roots from just being young, but more so from our formation in college. Is being “fun” a discussed aesthetic of the band or just something that kinda happened naturally. Love that first TPC record and thank you for the very kind words! It reminds me, not in sound maybe but in energy, like those early Tokyo Police Club records, just kinda reckless, fuck all goofiness, it’s so good. Spud Cannon as a band are, I’d say, fun in a way that few indie rock bands are any more. So… JUNO is among my favorite albums of 2021, “indie rock the way mom and dad used to make it,” as I’ve been pitching it to people. Grab a copy over on Bandcamp and find a selection of all the music they played that evening below! ![]() This edited transcript is from April 30th with Spud Cannon, whose album of the year contender indie rock spectacular JUNO arrives on June 25th courtesy of Good Eye Records. ![]() During the pandemic, Merry-Go-Round Magazine has been hosting Dime in the JQBX, a fun event where sometimes artists from across the musical spectrum come and hang out! During some of these events, Editor-in-Chief CJ Simonson attempts to navigate a short and often spontaneous interview in the chat with the artists! We figured why not save those and publish some of them, along with the songs that the artist played that night. ![]() ![]() ![]() UNWIND AFTER A HARD DAY It’s time for some fully animated StudioFOW-quality rewards! Experience a diverse array of scenes from Earn their loyalty and get some other exceptional benefits in the process. 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Linda Ronstadts cover version of Hasten Down The Wind also brought Zevon to the attention of a wider audience. The material ranged from the piano-accompanied ∟rank And Jesse James to the self-mocking singalong Poor Poor Pitiful Me, the bittersweet ∜armelita, and the majestic sweep of ∝esperados Under The Eaves with superb harmonies arranged by Carl Wilson. ![]() Produced by Jackson Browne, the work featured the cream of LAs session musicians and included guest appearances from Lindsey Buckingham, Stevie Nicks and Bonnie Raitt. Warren Zevon was a highly accomplished work, which revealed its creators songwriting power to an exceptional degree. He subsequently appeared uncredited on their album Stories We Could Tell and also guested on Phil Everlys three solo albums.īy the early 70s, Zevon was signed as a songwriter by entrepreneur David Geffen, and finally released his long-awaited second album in 1976. When the album failed to sell, Zevon took a job on the road as musical director to the Everly Brothers. One track from the album, She Quit Me, was featured in the movie Midnight Cowboy. By the late 60s, he was signed to Imperial Records and recorded an inauspicious debut, Zevon: Wanted Dead Or Alive, produced by Kim Fowley. ![]() He recorded several singles for the Turtles label White Whale, including a version of Bob Dylans If You Gotta Go, as Lyme And Cybelle. After moving to the west coast, where he sought work as a songwriter in the mid-60s, Zevon wrote songs for the Turtles and Nino Tempo And April Stevens. 7 September 2003, Los Angeles, California, USA. Following the announcement that Zevon had terminal lung cancer, Capitol Records put out a remastered version of the album in early 2003.Warren William Zevon, 24 January 1947, Chicago, Illinois, USA, d. Wanted Dead or Alive was initially released on the CD format by One Way Records in 1996. Once Zevon reached stardom, Wanted Dead or Alive ended up as an all-but-forgotten relic of his early career. His next album, the critically acclaimed classic Warren Zevon, was not released until 1976. Jackson Browne later commented, "I don't remember thinking was as good as he really was." Attempts to record a follow-up album, called Leaf in the Wind, were abandoned, and Zevon found work as band leader and musical coordinator for the Everly Brothers. Sales were poor, and critics ignored the album. The album was released "to the sound of one hand clapping", as Zevon later remarked. Zevon chalked up his disagreement with Fowley to a "sudden attack of taste". But, he didn't listen to anyone about anything, and one day I just walked in thinking I'd had enough. I wasn't trying to produce him because you really couldn't produce Warren, at least not in those days, but I was trying to help him make a record that might sell more than ten copies, all purchased by his friends. ![]() wanted to play all the instruments himself. Kim Fowley began the project as producer, but he left after disagreements with Zevon and did not take credit for production duties. Livingston had left the group by the time the single was recorded. Sugarblu consisted of Jolaine Herald, Pamela Easley, Carol Meyer and Tule Livingston. It was covered in 1972 as a single by Sugarblu on Warner Bros. "Tule's Blues" was written about his lover, Marilyn "Tule" Livingston, mother of his son Jordan. The track "She Quit Me" was featured in the 1969 film Midnight Cowboy (performed by Lesley Miller) as "He Quit Me". The album was a commercial and critical failure. The album released by Liberty Records in 1970 under the moniker "Zevon". Wanted Dead or Alive is the debut studio album by singer-songwriter Warren Zevon. Wally Heider's Studio III, San Francisco, California |